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Casino thriller fails to gamble with plotline



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ROBERT Luketic's new film is a high stakes drama about a group of academically gifted youngsters who risk everything in the gambling capital of the world.
21 (12A, 122 mins) Drama. Jim Sturgess, Kevin Spacey, Kate Bosworth, Laurence Fishburne, Aaron Yoo, Liza Lapira, Jacob Pitts. Director: Robert Luketic.

Dating back to 17th century France, blackjack is a deceptively simple game of luck and skill that remains a firm favourite with gamblers.

The rules are simple: Take successive hits from the deck, against other players and the dealer, to accumulate the highest scoring hand without exceeding 21 points.

Naturally, the odds are stacked heavily in favour of the house... unless you attempt to count cards to assess the probability of drawing a winning hand.

Adapted from Ben Mezrich's fascinating book Bringing Down The House:
The Inside Story Of Six MIT Students Who Took Vegas For Millions, Robert Luketic's new film is a high stakes drama about a group of academically gifted youngsters who risk everything in the gambling capital of the world.

Unlike its risk-taking protagonists, 21 plays safe at every turn, sticking with two-dimensional characters whose emotional journey is far too linear, then going bust with an obvious double-bluff that we can see coming well before the hapless fall guy.

The hero of this lacklustre yarn is Ben Campbell (Sturgess), one of the most gifted seniors at MIT, who has been accepted to Harvard Medical School and now needs $300,000 for the tuition.

A chance to raise the cash presents itself when sexy classmate Jill (Bosworth) recruits him to a hush-hush club run by mathematics professor Micky Rosa (Spacey), who hopes to teach Ben how to beat the odds at blackjack and outwit old school security chief Cole Williams (Fishburne).

"Are you talking about counting cards?" asks Ben. "No, I'm talking about getting very, very rich," replies Micky slyly.

Ben joins Jill, Choi (Yoo), Kianna (Lapira) and cocksure Fisher (Pitts) in the card counting ring, learning a system of subtle signals to ensure they never get caught by Cole or the omnipresent CCTV cameras.

The youngsters head for the Nevada desert determined to impress Micky but the adrenaline rush of winning big gradually corrupts their souls.

21 lays its cards on the table from the opening frame, and Luketic's sluggish direction does little to alleviate the nagging feeling we know all the aces up the film's sleeve well before screenwriters Peter Steinfeld and Allan Loeb deal them.

Sturgess is a likeable leading man and there is some semblance of an emotional arc as his hero metamorphoses from shy, demure mummy's boy into designer-label clad poseur.

However, the other students have no back-story and there is never any explanation of their motives for joining Micky's club – and Ben and Jill's romance is tepid and crudely engineered.

Consequently, Bosworth and co-stars are wasted in two-dimensional roles, Fishburne glowers in his few scenes and Spacey dusts off another backstabbing scoundrel from the repertoire.

The full article contains 506 words and appears in n/a newspaper.
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  • Last Updated: 11 April 2008 1:27 PM
  • Source: n/a
  • Location: Kettering
 
 

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